You can also buy Ardour as Harrison MixBuss. It took me a while to get all the boxes checked and all the right selections made before I had it set up properly to record and play back.Īrdour, with the Harrison MixBus Mixer on top.Ardour is essentially free, though they encourage you to donate $40 to help continue development. On the other hand, it’s a bit of a pain to set up and configure every time you want to do some editing. On the one hand, this gives you a lot of options for how to route your audio. As such, they use a third-party audio routing utility called JACK to get audio in and out of the mixing engine. I’ve also had problems doing basic tasks like bouncing tracks out to a stereo file, with automation and FX intact. The menu system is extensive, and a little less cohesive than commercially developed products. As you use it more, it becomes clearer that it’s an open-source project. The interface looks good, if not a little under-developed. It comes with a good collection of plug-ins that can be inserted on any tracks, just like a live-mixing console. The feature set is extensive and simple tasks like editing regions and tracks are just that–simple. The Ardour interface is very complete and highly customizable.Īrdour is an open-source, cross-platform DAW that’s actually quite impressive. I found two so far (and I should also mention that I’m on the Mac platform, so Windows-only DAWs need not apply). So that set me on a journey to find something like Soundtrack that doesn’t cost an arm and a leg. We don’t have extra licenses for either at work, and I really can’t justify the cost of either. It’s only available as part of the FinalCut Studio suite or bundled with Logic. The problem is that Apple doesn’t sell it separately. And the Platinum compressor is one of the most transparent I’ve ever heard on dialog. It’s very powerful, yet has a simple and accessible interface. My starting point for this type of DAW is Apple’s Soundtrack–honestly, it’s one of my favorite audio editors. So while that’s on my HD and I do use it from time to time, I needed a little more.Īh, Soundtrack. However, it’s a terrible platform to edit on, and none of the effects happen in real-time so it’s very difficult to audition anything. Now, there’s always Audacity, which is a great, free editor. I want to be able to edit a few tracks quickly, apply simple effects like compression and EQ and bounce the finished mix out as an MP3. Really, I have fairly simple needs for my application. I don’t need the power (or expense) of ProTools and Logic, while great, is out of my budget. The last few months, I’ve spent some time on and off looking for a new DAW.
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